The article raises the problem of a sculptural visualization of Abelard and Heloise, the philosopher and his student from the well known autobiographical novel "Stories of My Disasters" by Pierre Abelard. The author highlights the fact that, despite the existence of the surviving correspondence between Abelard and Heloise, not a single reliable image of them survived until the present time. The author claims that the need which arose in the twenty-first century for the visualization of the two real personalities who have become mythical characters has become even sharper. The author insists that the visualization of the myth of Abelard and Heloise in monumental sculpture marks transitional periods associated with the rethinking and revision of the cultural code, as well as attempts to capture.